Michelangelo Antonioni, one of the most innovative and distinctive film-makers of the 20th century, has died at the age of 94. The Italian director died at his home in Rome on Monday evening, less than 24 hours after the death of Ingmar Bergman - that other great giant of European art-house cinema.

Alongside his near contemporary Federico Fellini, Antonioni signalled a break with the "neorealist" style that flourished in Italy at the end of the second world war. In contrast to the working class parables of Vittorio De Sica and Roberto Rossellini, his films were cool and stylised, traditionally focusing on the experiences of an alienated bourgeoisie. Antonioni made his film debut with Cronaca di un amore in 1950. International success followed with the release of his classic L'Avventura in 1960.

Away from his native Italy, Antonioni made his English language debut with the epoch-catching London thriller Blowup in 1966. He later moved to America to shoot the counter-culture romp Zabriskie Point and ushered Jack Nicholson through Europe in his existential odyssey, The Passenger.

In 1985 Antonioni suffered a severe stroke that left him unable to speak. He directed his last film, 1995's Beyond the Clouds, from his wheelchair, with the assistance of director Wim Wenders. The following year he was presented with a lifetime achievement Oscar at the Academy Awards.

"With Antonioni dies not only one of the greatest directors but also a master of modernity," said Rome mayor Walter Veltroni this morning. A quiet funeral is planned in Ferrara, his birthplace in northern Italy, this Thursday.


Italian visionary Antonioni dies at 94 | News | Guardian Unlimited Film

[quote=milesdavis;1428371]Another one, just dropped, I've seen a good few Antonioni films but I want to see the ones I've missed too. I saw L'Avventura and Red Desert at the Curzon Soho once, and I used to have THE PASSENGER on VHS, from its original release in one of those big cardboard boxes they used to come in. I always wondered why it never got re-released (looked but nothing might check again with retailers) some years back i remember watching Nicholson on THE STUDIO and he described the extraordinary mechanical contrivances Antoinioni made the camera crew come up with for the 360 degree shot he wanted. He also said that he barely spoke to her or any of the actors, NS, do you have that TCM ? sometimes they do show those some of his Classics[/Q





Got TCM, not been watching much lately thou. I read somewhere that Jack Nicholson bought the rights to the passenger and has sat on them for some unknown reason, hope he's convinced this is a good time for a release.