GALLERY OF SELLOUT BLACK WOMEN?
IMPORTANT TO UNDERSTAND:
The CIA believes that one of the easiest ways to attack an
ethnic group is to launch a psychological attack on the women
of that ethnic group. The key components of such an attack are:
1) Tell the women of the targeted ethnic group that they should be
unhappy; 2) Tell the women of the targeted ethnic group that they
are oppressed (not by the white man but by the dark man); and
3) Tell the women of the targeted ethnic group that they should
separate from their men and seek "liberation" for THEMSELVES by
adopting white materialist culture, uniting with white western society,
and adopting white western "ideals." THIS IS WHY THE FIRST THING
THE U.S. GOVERNMENT DID BEFORE IT ATTACKED AFGHANISTAN AND
IRAQ was to start talking about the "oppression of women" in those
nations-- as if the white boys in the U.S. government actually give
a sh*t about the plight of "Third World" women.
THE RESULT OF THE SUSTAINED ANTI-BLACK MALE PROGRAM:
The results are quite telling: The fact that the intellectual heroes of
Black men are people like Malcolm X, WEB Dubois, Marcus Garvey,
C. Henrick Clarke, and John Hope Franklin- all of whom argued for unity
among Black folks and focused their energies on white oppression. Now
check out the intellectual heroes of Black women: people like Alice Walker,
Bell Hooks, Michele Wallace, and Ntozake Shange-- all of whom argue for
the "independence" of Black women and focus their energies attacking
Black men.
What follows are just a few of the intellectual heroes of Black women.
This list turns out to be a rogue's gallery of sellouts mostly chosen FOR
Black women by government intelligence agencies working through the
white-controlled media and white-controlled publishing industry. The list
also contains some women who decided to become anti-Black male
propagandists on their own (something Mtume would call "Uncle Tomming
on Remote") Thus this list contains both types of sellout Black women:
Those who unwittingly became a part of various anti-Black male operations
launched by various white interests throughout the ages, and those
who quite consciously became a part of these operations.
The sellouts are listed in no particular order. Some are still living and causing
damage while others have passed on but have inflicted damage that is still
being felt today:
1) MICHELE WALLACE: Illustrious "author" of BLACK MACHO
AND THE MYTH OF THE SUPERWOMAN, which was published
in 1978. This book called Harriet Tubman and Sojourner Truth
"ugly" and said they were poor role models because they were
united with Black men. The book argued that Black women
should turn their backs on Black men and "go it alone." The book
contained a systematic attack on the Black male revolutionaries who
led the Black Pride and Black Power movements of the 1960's. The
book was touted by Gloria Steinem as a book that would change the
agenda for years to come and Steinem put it on the cover of her
Ms. Magazine. It turns out that Gloria Steinem was/is an admitted
paid CIA agent (New York Times, February 21, 1967). Steinem was
accused of ghost writing BLACK MACHO herself. The 25-year-old
alleged author, Michele Wallace (who came out of nowhere), cracked
under the public scrutiny, had a nervous breakdown, after which she
went into hiding for over two years. Some suggest Wallace was likely
a CIA-mind control victim and the two "lost years" were spent being
re-programmed, but Wallace herself has never admitted her role in this
CIA operation. Later, Wallace would re-surface as a college professor--
working the minds of the little Black bimbos. Since then, the CIA's BLACK
MACHO book became the bible of Black feminism. Black women have been
played like fiddles since BLACK MACHO's publication in 1978 and have yet
to regain control of their own minds or their own agendas. The CIA's
"BLACK MACHO" operation was considered one of their most successful
campaigns against the Black community. That is, until the CIA launched
it's Crack Cocaine Operation against the Black community several years
after the BLACK MACHO attack.
Michell Wallace: She was among the first to attack Black men,
Black pride and the unity between Black men and women. Did
she know she was part of a CIA operation?
[line]
2) Tasha Cavelle Joseph: She's the ignorant little parasite who started
a website called "Don't Date Him Girl." The website is geared toward
the public slander of men. Women log onto the website, post pictures
of men who have "wronged them" and blame the poor choices they have
made in life on men. Joseph is a classic example of the "Educated New Black
Woman": a growing cabal of weaklings who have they lips glued to the asses
of the white power structure. Joseph exhibits all of the traits typically found
it this group of Black "feminist" phonies:
1) She poses as a positive person, when it fact she is flat-out negative.
2) She tries to make a profit off of the misery of other women.
3) She promotes dwelling in the past: The inability to grow up, learn from mistakes,
and move on.
4) She tends to sport fake blonde or light colored hair.
5) She thinks she is important because the white media gives her coverage, failing
to understand how the white media and power structure is using her.
6) She tries to build a career based on the hatred of men.
7) She is a facilitator of intelligence operations that keep women focused on
the "oppression of women by men," instead of the oppression of citizens
by governments.
8) She is trapped in the small ideas that surround bedroom issues instead of
the big ideas that surround the important issues or war, global warming, and
economic exploitation.
9) She has no solutions to offer, except the negative "revenge solutions" that
excerabate rather than solve problems.
10) She is sexist and fascist: creating a platform for vicious anti-male propaganda
and slander without giving a proper opportunity for the accused to defend
themselves. A class-action lawsuit against her and her website is in order.
11) She wants to incarcerate men in the permanent "Internet Jail" of her website
without a fair trial: adopting the tactics of the racist white male-dominated
criminal justice system.
12) She thinks her actions are "cute" and "hot": In fact her actions prove that behind
the goofy grin is a confused Black woman with a profoundly ugly spirit.
Tasha Cavelle Joseph: Behind the goofy grin is a confused Black
woman with a profoundly ugly spirit.
This is a photo that appeared on the Don't Date Him website.
There appears to be some sellout psychological programming going
on here: There are thousands of pictures one could have chosen
to use, or one could have gone out and taken their own photograph.
But Joseph made the decision to display a women of color holding
hands with a white person. The photograph was made small enough
so that you could hardly tell its hidden content-- a clear effort to send
a message into the unconscious. What is the sneaky Joseph trying
to pull?
[line]
3) ALICE WALKER: Spent years making a mint by writing bullsh*t about
Black men. She was one of the first sellouts to realize that there was
a lot of money to be made by using an attack on Black man as a central
theme of her books. Did you know that Alice Walker was married to a
white man during the 15 years she spent writing her most virulent anti-Black
male books? Walker was a precedent setter in this regard: one of the first
who proved you could pretend to be an "expert" on Black men while not even
dating or being married to a Black man. Why don't most people know that
Wallace was married to a white man during her systematic attack on Black
men? Because ESSENCE magazine and other similar anti-Brother publications
went out of their way to cover up this fact. Wallace is one of the most famous
writers in America. So how come you never saw a photograph of her with her
white husband? Could a Black man pump out books damning Black women
while being married to a white woman and get away with it? HELL NO!! Ever
meet Alice Walker? You should go and check her out the next time she is in
your town touting her latest anti-Brother book. It will take you less than 1
minute to realize you are dealing with a drugged, possibly mind-controlled
government robot.
Alice Walker: Married a white man and then-- aided by her white
publishers --she launched a massive literary attack against Black men.
--------------------------------------------------------------------------------------------------------
4) NTOZAKE SHANGE: Illustrious author of the play "FOR COLORED GIRLS
WHO CONSIDERED SUICIDE WHEN THE RAINBOW WAS ENUF." Shange
is yet another Black women who was touted by the white media (man) as
the Second Coming of (white) Christ. FOR COLORED GIRLS (notice that this
was the first play of its era that covertly told Black women that it is not
good to be Black) was another piece of "literary work" that called on Black
women to stop being strong, to start whining about their "victimhood," to
talk public sh*t about Black men, and to "go it alone." As one white critic
said (in the New York Times) when this play came out: "Now the white
man can truly call the Black woman his sister." Apparently, you have to attack
a Black man to be the white man's sister. This play went on to become one
of the most performed plays in the Black community and THE most performed
play at all-female Black colleges like Spellman. Similar to Michele Wallace,
Shange cracked under the pressure at the time and had a nervous breakdown.
Some suggest that Shange was also likely a CIA mind-control victim. Ever meet
her? You should try. The next time she does a public event make sure you attend.
As with Alice Walker, it will take you less than 1 minute to realize you are
dealing with a heavily sedated, slurring basket case-- exactly what you become
after you have gone through the CIA's mind manipulation program.
Ntozake Shange: She doesn't just look the part-- she IS crazy!
[line]
5) DEBRA DICKERSON: Debra Dickerson: She is the author of THE END OF
BLACKNESS. This is another psychotic book that claims that white folks are all
cool now and that Black folks should stop complaining about racism. Just a
couple of years earlier Dickerson wrote a book (AMERICAN STORY) that complained
about racism from cover to cover. Now, she claims that racism doesn't exist. Mind
controlled? She could be, especially when you consider the fact that her recent
articles (search her name in quotes on the Internet) attacked those whom backed
Mumia Abu Jamal as part of a "celebrity set" and she called Mumia "scary." Or
perhaps Dickerson is just another willing parasitic who wants to make it in the white
literary world, and if she has to sell out Black people to do it she will-- Just like all of
those corporate hoodrats who are having sex with the white boss in the back office;
or all those ghetto hoodrats who are having sex with the Arabs in the back of the
candy store-- and then come out the door complaining about Black men. What
could have made Dickerson go from complaining about racism to claiming that
racism "doesn't exist" in just a few short years? Well, perhaps the fact that she
married a white man had something to do with it. Could marriage to a white man
brainwash a Black woman? Well, check out Dickerson in public and damn if you
don't come away thinking she is just another sedated basket case. Not too long
ago Dickerson was on a national radio program (NPR) pushing her new "racism
doesn't exist" line, when she slipped and starting bragging about her "blonde,
blue-eyed" children.
Debra Dickerson: Wrote a book that described the contemporary
racism she had suffered in her life. Then she married a white
man and wrote a book claiming that racism had suddenly
disappeared.
[line]
6) MADAME C.J. WALKER: Walker is one of the better known sellouts to appear
on the scene. She managed to become one of the first "Black millionaires" in
the United States in the early 1900's. How? By convincing Black women that they
were ugly and needed to become "more white like" if they wanted to be "beautiful."
Walker made a mint convincing Black women to straighten their hair and lighten their
skin. White folks have a long and well-documented history of killing successful Black
men and bombing and burning successful Black communities (like they did to "Black
Wall Street" in Oklahoma, and to thriving Black towns in Florida). But curiously, the
white powers that be decided to leave Madame C.J. Walker alone-- she was doing the
bidding of white society by teaching Black women to hate themselves. Even though
Black feminists (and the fools who parrot them) like to tout Walker as a "role model,"
Walker did not really care about Black women: How do you think she got the name
"Madame?" Because she was a female pimp who operated a "cat house." She set
up a situation where white men could come to the Black community at night and
purchase the bodies of Black women for a night of cheap sex. This was another key
reason why white men left her alone and let Walker accumulate capital-- because she
was providing powerful white men with a secret and unlimited source of Black p***y.
Walker was likely the biggest source of Black p***y for white men in the north.
Madame C. J. Walker: The pimptress in one of her "before and after"
photographs-- before you wanted to look white, and after you get
brainwashed.
[line]
7) A'LELIA WALKER: She's the daughter of Madame C. J. Walker and she was even
worse than her mother-- if that is even possible. A'Lelia is another one of those women
who is touted as a "role model" by Black feminists and the fools who parrot them. She is
called a "Black sophisticate" who was a great "patron of the Black arts." One Internet
article calls A'Lelia a "Corporate Executive." The truth is that A'Lelia did nothing but
throw parties for rich folks and run her mother's empire into the ground. Moreover, just like
her mother, A'Lelia was a pimp. And just like her mother, A'Lelia became the biggest source
of Black p***y for white men in the north. She was also a promoter of lesbianism, being a
known lesbian herself-- which is another reason she is promoted by Black feminists. Black
feminist take care to keep A'Lelia's homosexuality a secret: Because they take great pleasure
in suckering Black women into supporting under-cover lesbians. A'Lelia's specialty was
throwing wild, all-night sex parties where rich white lesbians could come and get Black
lesbians and where rich white men could frolic in bed all night with as many Black women
as they wanted. A'Lelia spent so much of her time promoting freakism that she squandered
her mother's fortune and died homeless and virtually penniless-- hardly a good role model
for a "corporate executive." None of A'Lelia's rich white customers came to her aide when she
became poor because she no longer had any Black p***y to sell. Besides, what rich white man
wants to be seen with a known Black female pimp in the daytime? If you want to know more about
the freakism of A'Lelia Walker, check out the book "Rough Amusements: The True Story of A'Lelia
Walker, Patroness of the Harlem Renaissance's Down-Low Culture" by Ben Neihart.
A'Lelia Walker: Ran her mother's fortune into the ground throwing wild
sex parties where white men could come to exploit Black women.
[line]
8) ZORA NEALE HURSTON: Hurston is one of those Black feminist "role models" whose legend
has taken on mythological proportions. She is promoted as a "brilliant anthropologists" who
documented Black southern culture, managing to make being Black, poor, oppressed, and ignorant
seem "romantic." She is also called a "great poet" and novelist who was a "radical" who believed
in woman's rights. This, of course, is pure bullsh*t. Hurston was perhaps the first Black women
of the 20th century who was a certifiable basket case whose own politics was erratic to say the
least. What the Black feminists don't tell you is that long before she died Hurston had sold out
Black folks and had publicly united with racist, right-wing white men. If she was alive today
Hurston would be considered a Neocon on a scale far worse than Condi-skeezer Rice. Throughout
her career, Hurston systematically ignored the issue of racism in her work-- extremely strange for
a woman who traveled the savage, jim crow south. She was more interested in documenting
"Black English" than she was in documenting white rape and murder. More importantly, Hurston was
a documented opponent of the right of Black people to vote in the south. She attacked the landmark
Brown vs Board of Education decision in 1954: she preferred seeing Black children remain in segregated,
inferior schools. After a time, Hurston became the darling of the white racist right-wing-- writing for
right-wing publications like American Legion Magazine. In articles published in the American Legion
Magazine, Hurston attacked labor unions and leftist groups-- she sided with the oppressive employers
who wanted their workers to survive on starvation wages. Hurston was also a McCarthyite-- joining
with the fascist Senator Joseph McCarthy in his attack on anyone who dared join any communist
organizations: at the time the communist party was the ONLY organization fighting overtly and
aggressively against oppression and racism-- which is why so many Blacks and white artists were
members. At the time, Hurston was clearly on the wrong side of history. In 1952, Hurston backed
the presidential nomination of the ultraconservative and racist Senator Robert Taft of Ohio.
Zora Neale Hurston represents one of the biggest lies in the history of Black feminism. Her story
provides an excellent example of the extent to which Black feminists will go to distort the truth. Not
surprisingly, Alice "I hate Black men" Walker (who attacks Black men every chance she gets) tries to
excuse the fact that Hurston was an absolute sellout, writing, "I think we are better off if we think of
Zora Neale Hurston as an artist, period [let's ignore how she sold out Black folks]. . . This frees
us to appreciate the complexity and richness of her work." How convenient. If Alice Walker had
displayed this same "understanding tone" toward Black men, the Black community would be in far better
shape today.
Zora Neale Hurston: Perhaps one of the biggest hoaxes in the history
of Black feminism. When Black feminists can't find REAL role models,
they invent them.
[line]
9) TERRY McMILLAN: She's the author of a series of anti-Black male books with cartoons on the
cover. McMillan is the drugged, drunken Black woman who copied the writing style of Alice Walker
by using the false image of the "jive Black man" as a literary device to sell books and make
herself wealthy. Her writing is not on the level of Alice Walker-- she prefers to write in a
low-brow style geared toward Black women with a junior high school reading level. The problem
with Black women like McMillan is that they can't stand strong Black men. Since she can't stand
strong Black men, she and Black women like her are incapable of attracting and keeping a good Black
man. Since McMillan is wealthy (wealth gained by distorting the image of Black men), she "solved"
her "man problem" by going to the Caribbean where she literally purchased a penniless young Black
man off the beach and brought him back to America to be her public sex toy and trophy husband.
She decided to exploit this "relationship" by writing a book about it called "Waiting to Exhale" which
was turned into a Hollywood movie. The central premise of the book: "American Black men are no good.
Go to the Caribbean and buy a penniless sex toy who is easier to dominate and control and everything
will be alright." After the book was published, McMillan went on a world book tour with her Caribbean
trophy husband in tow, displaying him as "cute proof" of her theory on how to NOT deal with strong
American Black men. There was only one problem: McMillan's handsome example of a "young viral Black
man" turned out to be gay. Moreover, he claims that McMillan KNEW he was gay; had kept him on a
short financial leash, and tried to punish him financially when he wouldn't do what he was told. McMillan
claims that the homosexuality of her trophy husband came as a complete surprise to her, and perhaps
she is telling the truth: Black woman's penchant for sleeping with weak, effeminate Black men--
and running around with overtly gay men --is legendary. Add that to the Black woman's secondary
addiction to street thugs and you have the main cause of the high incidence of AIDS among Black
women today.
.jpg)
Terry McMillan: In her public appearances she seems barely literate and
sometimes appears incoherent. So who is really writing those books for
her-- her white editors?
Terry McMillan: With her trophy husband, Jonathan Plummer. McMillan purchased
him off of a Caribbean beach and brought him back to America to parade in front
of the public-- he turned out to be gay.
[line]
10) QUEEN LATIFAH: She broke into the world of entertainment as a rapper who championed the image
of the "Afrocentric, proud Black woman." For a brief moment, Black men believed they had a "real sister"
on the entertainment scene. But Latifah's "overt Blackness" wouldn't last for long. In due course,
Latifah and her handlers realized there was more publicity and money to be had if she turned herself
into a fake "Black feminist" and started attacking Black men in her songs. Thus, Latifah came out
with the sexist, bigoted, and separatist "Ladies First" rap song. This was soon to be followed by
the rap song "U-N-I-T-Y" which posited itself as a "men and women should get together" rap song, but
was in fact a vicious attack on Black men filled with negative stereotypes of Black men and positive
stereotypes of Black women. This is the classic "bait and switch" game played by "Black feminists":
start out like you want to be united with Black men, but end up attacking Black men if they are
unwilling to kiss feminist ass. Eventually, Latifah would drop her "Afrocentric" act all together: white
people don't like paying money to Black Afrocentrics, ESPECIALLY Black female Afrocentrists-- since this is
considered a bad example to set for young Black women. Today, Latifah is little more than your typical
Black female cartoon, literally a caricature of herself-- pushing skin lightening cosmetics, doing commercials
for the highly oppressive and exploitative Wal-Mart, and starring in movies surrounded by white men while
sporting a silly blonde hairdo. The reason why Latifah is all over the media today while Sista Souljah is
almost invisible? Latifah sold out while Sista Souljah refused to sell out.
Queen Latifah: This is how she looked during her "Afrocentric" period.
Queen Latifah: This is how she looked after she sold out-- which Queen
Latifah do you prefer? It doesn't matter: she will market the image that
white folks prefer.
[line]
11) HALLE BERRY: Included here not because she ever had a public political point of view, but because
she is an example of how Hollywood uses the Black actress to push a white male supremacist world
view. Halle Berry has a movie career for one reason only: because Black producers and directors picked
her to star in their films. But Berry was to learn the same thing that all Black actresses before her had to
eventually learn: If you want a big career in Hollywood you have to have sex with a white man on film--
But these days, you can't just do a little kissing and hugging: you have to f**k the white man outright.
Berry, for whom fame and fortune was obviously more important than self respect, took the bait:
She literally gave up the poontang on the big screen. Berry had been in many films where she played
roles dating Black men, but her Black directors and producers never insisted that she get butt naked
and literally f**ked on the screen. Besides, Black producers and directors will tell you: it is almost impossible
to get a Black women to strip down and f**k on screen-- they are usually only willing to do this for white
directors, usually AFTER they have refused to do it for Black directors. Check out the film careers of
today's Black (or Brown) actresses and you will see exactly what I mean. See how stiff Rosario Dawson's
sex scenes were in "He Got Game?" Now check out her butt-naked sexual romp in "Alexander". Remember
when the actress Rosie Perez said she "felt like she was raped" when Spike Lee "made her" do the sex
scene in "Do The Right Thing" (all he did was touch her with an ice cube). Now check out her tit-hanging,
sex starved romp with grimy Woody Harrelson in "White Men Can't Jump." There is a clear pattern here of
white male sexual control of Black women in Hollywood that can't be ignored-- it is how white men push
the brainwashing agenda of white male supremacy while their film crews "get off" watching Black starlets
getting f**ked "live" on the set. To wit: The weird movie called "Monster's Ball" where Hollywood
propagandists made Berry f**k the character of a grimy, racist white man who is in charge of executing
her Black husband. The message can't get any more obvious and low down than that!! And Berry took to
the role with gusto, claiming later in a TV interview with David Letterman that the experience "was liberating."
Liberating? I'll let you draw your own conclusion about what Berry meant by "liberating." Unfortunately for Berry,
the film crew kept the outtakes of her sex scene in Monster's Ball and anonymously released them on the
Internet. Because of these outtakes we now know that Berry was literally f**ked on the set-- which was the
REAL reason why her "no good philandering Black husband" left her. Why should he remain with a Black women
who allowed herself to get f**ked by a Hollywood hillbilly while the film crew watched and laughed? Black
actresses are told that if they give up the poontang to a white man on the big screen (or show the poontang
in Playboy Magazine) they will become "hot" and their careers will take off. Well, Berry WAS rewarded with an
Oscar for her portrayal (BEtrayal) in "Monster's Ball" (code words for "the racist white monster gets balled").
But like most Black actresses who get banged on the big screen by white men (like Lisa Bonet before
her) or showed their asses in Playboy Magazine (like Jayne Kennedy, or the certifiably mind-controlled Latoya
Jackson), Berry's career has gone nowhere and it won't go anywhere-- unless she becomes a permanent
Hollywood screen whore for white men. Based upon what we saw of Berry in "Swordfish" and "Die Another Day,"
she is well on her way to being just that. . .
Halle Berry: Sold more than her soul to the devil when she agreed to
get f**ked in "Monster's Ball." She didn't realize that the film crew was
going to betray her by putting some of the outtakes of her f**k session
on the Internet. During the sex scene, the director snuck in some footage
of a Black woman's hand reaching for a scared white bird in a cage. You
had to be watching REALLY closely to notice this bird footage, therefore it
was designed to enter your unconscious-- What was the purpose of the
symbolism here? Did they mean that a nasty Black woman was greedily
snatching sex from a "pure" and "innocent" white racist?
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